In Nagaland, artist Lepden Jamir’s wood carvings have sparked discussions on indigenous identity and politics, revealing complexities in the state’s relationship with Naga nationalism. Art historian Akshay Tankha emphasized how Jamir’s work reflects local culture while challenging mainstream narratives, demonstrating a dialogue between traditional and contemporary expressions. The Indian Army’s engagement with local communities through art initiatives signifies its acknowledgment of cultural dynamics in Nagaland, highlighting the importance of art as a medium for connection and understanding. This evolving interaction underscores the role of art in framing socio-political identities and fostering community ties within the context of India’s diverse cultural landscape.